If you turn on the video scopes and set them to show the waveform, you can see what is actually happening with each of these methods. I suggested the log wheels because they're more a focused adjustment and with JPEGs that might cause the least damage. You can of course experiment with all these methods (and also try Lift, Gamma, and Gain) to see what produces the best result in your JPEGs. I have been shooting timelapses since 2001, hundreds of them, and many of them weren't shot in RAW for one reason or another, but the JPGs are of such high quality that they can easily withstand some pretty heavy grading, as I have done so in Adobe Lightroom with great 's just *so* much easier to deal with all of those sequences in Resolve, though! Is there a method in Resolve that allows me to easily lift/lower shadows, highlights and mid-tones without having to jump through more difficult hoops? or maybe there is a plugin that will achieve the same thing? The fact that it was included with the BMPCC 4K was yet another reason for me to plonk down the money to get it.Īs many of you probably know, Photoshop was first, in the Adobe CC Suite, to make the Camera RAW module available to non-RAW images, and After Effects followed suit by including a "Shadows and Highlights" filter that did, in essence, the same as the RAW module, but on non-RAW files.
Frankly, I haven't opened FCPX or Premiere Pro since first starting to experiment with Resolve and discovering something new every day. I have only "discovered" Resolve for myself a few months ago, and have been positively floored by its power and relative ease of use.
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